| Birthdate | 5/6/1931 |
| Death Date | |
| Debut Year | 1951 |
| Year of Induction | 1979 |
| Teams | Giants, Mets |
| Position | Center Field |
Willie Mays shares the record for most All Star appearances with Hank Aaron and Stan Musial. Each of the trio played in 24 mid-summer classics.
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Who made the greatest catch in World Series history? Historians and fans alike debate the question.
Some say it was Al Gionfriddo’s grab of Joe DiMaggio’s shot down the left field line in the 1947 World Series. Others maintain that Willie Mays’ catch off of the bat of Cleveland’s vic Wertz was better.
In the collection is this letter from longtime St. Louis sportswriter and editor Sid Kenner. After his career in media, Keener became the Director of the Hall of Fame. It is in this capacity that Keener writes about the two catches.
“Inasmuch as I saw both catches, I regard the one by Mays as the more difficult,” Keener opines. “Then again others may say that Gionfriddo was the more spectacular.
“I regret to advise that the Baseball Hall of Fame does not possess photos of those particular plays.”
The next two images show the two catches.
The date was September 29, 1954. The cavernous Polo Grounds played host to Game 1 of the World Series as the Giants took on the Indians.
Cleveland jumped out to a 2-0 lead in the top of the first behind Vic Wertz’ two-run triple. New York clawed back to tie the score in the third.
The contest remained knotted at two apiece as the Indians came to bat in the top of the eighth inning. Hall of Fame center fielder Larry Doby walked to lead off the inning. Cleanup man Al Rosen – the ’54 AL MVP – singled Doby to second.
Up came the red-hot Wertz. The Cleveland first baseman already had seven total bases thanks for a 4-for-4 effort that included a double and a triple.
Wertz slugged a 2-1 pitch deep to centerfield. In many ballparks the 420-foot blast would be a home run. Not in the Polo Grounds. Mays turned his back on the ball and sprinted to make a spectacular over-the-shoulder catch. The Say Hey Kid’s grab kept the game tied.
Indians pitcher Bob Lemon scattered 8 hits over the first nine innings. With one out in the tenth Lemon walked Mays who promptly stole second base. Hank Thompson was issued an intentional pass to put runners on first and second.
Giants skipper Leo Durocher called on Dusty Rhodes to pinch hit. Rhodes enjoyed a career-year in ’54, hitting .341 with a .410 on-base percentage and a .695 slugging percentage.
The New York pinch-hitter made the the most of his first at bat in the Fall Classic, slugging a three-run homer to end the game. The next night Rhodes hit another homer to help put the Giants up two-games-to-none.
Years later Rhodes reflected on the two World Series homers. In a letter that can be seen by clicking here, Rhodes writes, “The two (home runs), one short, one long was kind of lucky. The first in the tenth inning was wind blown. Bob Lemon threw his glove in the stands further than I hit the ball. We are still friends.
It was Mays’ iconic catch that made Rhodes heroics possible. In the collection is this image of Mays’ magical moment. The centerfielder has added his signature to the photo. Notice the hologram from Mays’ “Say Hey Foundation” in the bottom right of the image.
Few catches in World Series history rival Willie Mays’ over-the-shoulder grab of Vic Wertz’ drive in 1954. One of the few that are in the conversation is Al Gionfriddo’s effort in the ’47 Fall Classic.
It happened in Game 6 at Yankee Stadium. Gionfriddo’s Brooklyn Dodgers built an 8-5 lead going into the bottom of the sixth inning. Dodger skipper Burt Shotton inserted Gionfriddo into the game as a defensive replacement.
Joe DiMaggio stepped into the batters’ box representing the tying run with two out and runners on first and second. The Yankee Clipper hammered a pitch to deep left field. Gionfriddo ran toward the line and caught the ball before crashing into the bullpen gate.
In a rare show of emotion DiMaggio shook his head and kicked the dirt as he neared second base. The Dodgers held on to tie the Series and force a seventh game. The gravity of the play and the athleticism required to make it give it iconic status.
Shown here is a picture of Gionfriddo’s memorable catch. The outfielder writes, “The Catch 10-5-47 Al Gionfriddo Dodgers 1947”.
Willie Mays made an immediate impact once he reached the Major Leagues. The 1951 Rookie of the Year was the league’s MVP by his third season. All told Mays was a 24-time All Star and two-time All Star and regular season MVP. He also won 12 consecutive Gold Glove Awards.
In the collection is this 1990 rental car application. Especially noteworthy is that Mays listed, “Bally’s” as his employer. Shortly after getting voted into the Hall in 1979, Mays took a job with what would become Bally’s Casino.
Commissioner Bowie Kuhn decided that Mays would not be allowed in baseball if he held such a position. In 1985 Peter Ueberrroth replaced Kuhn and reinstated the inner-circle Hall of Famer.
Contracts offer a nice way to get a reliably authentic autograph, especially on signatures that are often forged.
Though the William J. Slocum Award is little known to baseball fans, those in the know regard it as one of the most prestigious awards the game has to offer.
Given each year to a person judged to have long and meritorious service to baseball, the honor has been given to the most influential men in baseball history.
Among the recipients are Babe Ruth, Walter Johnson, Stan Musial, and Connie Mack. The honor has also been given to first-ballot Hall of Famers Frank Robinson, Lou Brock, Tom Seaver, Reggie Jackson, and Nolan Ryan. More than 50 members of the Hall have added it to their trophy case.
In 1974 the writers added Willie Mays to the distinguished list of recipients.
In the collection is the Slocum Award given to Vin Scully in 1995.
The Bill Slocom Award is one of the most prestigious awards baseball has to offer. The little-known honor has been given to more than 50 members of the Hall of Fame.
Read More >"Whoever wants to know the heart and mind of America had better learn baseball…"
~Jacques Barzun, 1954
